Wednesday, April 8, 2015

How to Take Your Small Business to the Next Level










Source:recruiterbox.com

Monday, April 6, 2015

Design Your Money Life and Go Beyond Your Circumstances


Why Money Matters: Part Two


Many times when I’m working with individuals and clients, they have a very vague notion of what it is that they want. And I understand that, because at a human level we use our physical life as a strategy to reach for something that is intangible. At the end of the day, resolving a challenge around money, you are actually reaching for a sense of accomplishment or success or fulfillment or peace or whatever it is that you’re looking for.

However, your consciousness is made up of two different parts. One is the physical aspect, which is your neurology, your brain, and your body. And then we have the unconscious or higher conscious part, which is your spirit, your heart.

I”d like to talk about how these components play a part in your money life, how to design your money life, and how that actually translates into you having the life that you have always wanted for yourself.

What Are You Looking For?

Why is it important to know what you’re looking for? The reason that it’s important is because your brain somehow is wired to give you maximum efficiency when it knows what to look for. Far too often when I ask people, “What is it that you want?” they always give me an answer something like, “I don’t want to be broken around money. I don’t want to feel this way about money.”

Let’s say you are in an open field, in the center of the field. All you are telling me is that you don’t want to go in that direction. But your brain doesn”t know, out of those 360 degrees, which of the 359 degrees should it go for. Your attention then gets fixated on the way you don’t want to go and your awareness gets cutoff from everything else. That’s why you either don’t end up making any progress or, much worse, you end up in the direction where your brain labels as don’t go there because the brain cannot resist negatives.

It just knows that to be able to not go there, first it has to create the picture of going there and then it has to find a way to negate it. To put it very simply, it’s like asking someone to not think of a zebra. First it has to think of a zebra and then it has to create a picture of something else that is not a zebra. But when it comes to money, the something else that’s not a zebra could be the whole animal kingdom.

This is why it’s important to know what is it that you’re really looking for when you’re trying to design your life, your finances, and your experience around money. That orients your brain to go in the right direction.

What it Means to Design Your Money Life

Think about where you have come from to this point in your life, in your journey around money. The imprinting that you have gone through as a result of your family of origin, your upbringing, your social life, your education, and so forth.

Imagine if everything that you’re experiencing is actually a perfect outcome of everything that you have gone through and everything that”s been imprinted on your consciousness nbso online casino all along, even the struggles. Let’s include also the parts that are not working. Let’s say those are all parts of your unconscious creation at some We offer complimentary pick-up and drop-off service all over the greater Los Angeles / Orange County area for every lesson in our Mercedes-Benz vehicles!Since 1962 Bond Driving online defensive driving course ny has been teaching drivers ed to California teens and adults. level. All imprints from which you are creating your experience of money.

If the experience of life that you want is not in your current system, then it”s sitting outside the framework or the ecosystem you”ve already created. And to design your perfect money life or go beyond your circumstances, all we are talking about is making it OK, making it positive, making it a yes-based experience for you to include those results in your current life.

How to Go Beyond Your Circumstances

In my vocabulary, what it means to go beyond your circumstances is how can you make the change that you’re actually looking for safe, sustainable, and OK in your current infrastructure, in your current set of circumstances?

Then the next question obviously would be, how do I actually do that? I”m going to divide this up into two parts…

Part One: Where Are You Stuck?

As covered in my previous post, let’s first find out where you are stuck in terms of not having the experience that you are really looking for.

Let’s say, for example, if one of your belief systems is coded around the imprint that only greedy people have access to money. If you believe at some level that you’re not a greedy person, then right there is a conflict that you have setup in your current system.

You have to identify all the beliefs that are actually running your system in an unconscious way. You have to ask those questions that we went over above and find out which of the belief systems are actually barriers. Then you have to give yourself permission to overcome them. Even though humans can be highly imaginative, we often don’t give ourselves permission to create or to think of a life that we really, really want.

Part Two: Where Are You Going?

Secondly, you have to know where you would like to go. This absolutely highlights the gap that exists between your present state and your desired state. Then, the experience of bridging that gap can begin. (And this is something that we will keep covering in future blog posts.)

A Money Life Testimony

I was working with a client of mine two or three months ago. He was running three different businesses. One was his own coaching business. The second one was being a high-performing employee for a company selling kitchen panels. And the third one was his own kitchen making business.

For him, his whole life was designed around the imprint that it takes a lot of work to create the money that he was creating. And he was creating a fairly good income— around $200K per year.

But because of this belief system he had and the physical constraints of time, it was getting absolutely impossible for him to achieve the success he was looking for.

When he and I started working together, we started actually changing his beliefs around that. We started changing his identity around where he was and where he wanted to be and within a few weeks he started making amazing progress. It’s been about three months now and he has already achieved his one-year goal in three months time.

Ready to Design Your Money Life?

It is absolutely possible to bridge that gap and exceed your goals because we as humans have an innate drive to keep growing.

If you look at your money life as a journey and not as an end itself, if you look at it as a growth path to take you to the next level, then the whole journey becomes a lot easier.

Here’s what I recommend you do if you want to change your money life. Get in touch with somebody who can help you record your identity around money. If that”s me, you can get in touch with me here. You can choose to engage through these posts. Or you can download my eBook.

I will be providing enough resources along the way to allow you to start working and changing your money experience. Stay the course and I”ll help you go beyond your current set of circumstances.

Source:mihirthaker.com

How to Make Money Automatically

Money is both about numbers and an inherent energetic quality. Today, we’re going to talk about the two key things that differentiate somebody who’s just a moneymaker and someone who’s a money manifestor…

The two keys are identity and purpose.


The Value of Money

Let’s take a moment to first figure out what is money an outcome of. On this subject, we move into the business side of things. We would say money is an outcome of the value that one person or business puts out into the marketplace, in the form of a product or service.

Now, value by itself is something of an intangible attribute. It has more of an energetic quality. So, by putting a number around value, we have taken something that is energetic and turned it into a tangible process. Money then becomes a material representation of an energetic form of value.

“The Money Experience System,” an event that I”m running this weekend, is a system that”s been designed precisely with this concept in mind. How we can manifest something that is intangible—your sense of value or your sense of self-worth—and convert that into a physical business strategy, and eventually into money.

Identity and Money

There is a sense of identity around who we are. You wake up and you think, “I’m Bob” or “I’m Susan.” Somebody wakes up and thinks, “I’m Richard Branson.” There is a certain pattern that we unconsciously run in our daily lives. We wake up. We do something. We behave in a certain way. That’s how neurology has been designed; all of those behaviors cohesively form our identity.

Now that identity itself also comes with a certain set of beliefs, a certain set of capabilities, a certain set of behaviors; and eventually, the kind of environment where you are creating and making money. If you have an identity around money that says, “Hey, no matter where I go or where I am, I’ll be able to create money,” then no matter where you are in the world, you will be automatically creating money.

The key question that you need to ask is, who do I need to be to have the experience of money that I’m seeking?

What should your identity be? Who do you need to become in order to have the outer experience of life and money that you want? That’s the most powerful, deepest quest you can ever embark on. It brings up everything that has been beyond question in your psyche; and at the same time casino spiele it forces you to look at your own strategies that you’ve put in place, things that are working, things that are not working. Identity is one of the key areas that we focus on in the workshop.

I’ve Found My Identity—What Next?

What’s a key strategy to actually making that shift over to creating money once you’ve answered the identity question?

I’ll share a small story that happened to me over the last few days… I just bought a new house and am currently in escrow. Late afternoon last Friday, the mortgage guy calls me and says, “Oh by the way, you need to show that you have x amount of money in your account by Tuesday.” Because of the way the finances were playing out, there was a need for me to create $50,000 over one weekend.

In that moment, I could have easily thrown in the towel. But instead, I took my own advice; the steps I take my clients through in The Money Experience System. I went into that space of being okay with things not working out completely, while also being fully present to the possibility that I would create the amount I needed.

So, to go from being a moneymaker to a money manifestor there is a bridge you must cross. That bridge is called purpose.

To become the money manifestor, you need an ability to connect to that higher purpose, a deeper sense of self, and a vision of your own abundance. As a result of tuning in to that purpose, things start coming together. In the end, I was able to create that $50,000.

The key is what this deeper purpose does to how you play the game. Being in the right space propels you to take purposeful actions at the level you’re trying to reach.

Getting Real Results

Whether the outcome you seek is something that will happen automatically or something that will take time, practice, and repetition depends on the level of congruence and alignment you have. Far too often people consciously tell themselves that they’re not attached to the outcome, but inwardly they are.

It’s about realizing that when you let go of the outcome, there should truly be no emotional charge connected to it. If you feel even a tiny bit of emotional charge about an outcome, you acknowledge there is a possibility that you might not have it.

Being able to let go of the outcome is something that comes with practice. It’s accessible to a greater degree when you are fully shifted into your new identity. To be able to naturally wake up with an identity of abundance, you will have an abundant experience of life. You don’t need to practice being that person.

For example, for me, an identity of abundance means I can create money anytime, anywhere, as much as I need it, as much as I want it. And I don’t need to practice it anymore. Every morning I just wake up as me. I am who I am. I just do things. I’m six feet, two inches tall. I don’t need to practice being six feet, two inches tall. I just am six feet, two inches. That’s how your identity evolves over time.

Do You Know Your Money Identity?

Every heart-centered entrepreneur needs to be at my workshop this weekend. As I mentioned briefly above, it’s a three day live event called The Money Experience System workshop.

We spend the first two days fully diving into your neurology, your beliefs, and your imprinting around money. In those two days, you will learn how you can step into a new level of identity that will automatically help you achieve success, ­wealth, and abundance in your business and in your life.

The third day is focused on creating outer strategies for your business. You might be a coach, consultant, expert, practitioner, or small business owner. In any case, these outer strategies combined with the internal strategies from day one and two are truly life-changing.

I invite you to investigate The Money Experience System workshop and take part in this incredible event.

Source: mihirthaker.com

Saturday, April 4, 2015

11 Iowa spots to play Google Maps Pac-Man

It may be April 1 but this is no joke.

You can turn just about any Google Maps location into the classic arcade game Pac-Man, which is exactly what we did at 11 iconic Iowa locations.

Do your best to gobble up all the dots around Kinnick Stadium in Iowa City, and avoid Pinky, Blinky, Inky and Clyde on the streets of Arlington, the hometown of Iowa "Bachelor" Chris Soules.

But do it fast, because we don't know how long the game will be around.

Try these locations, then email Adam Wilson at adwilson@dmreg.com or tweet him at @ad_wilson with spots of your own.

- Iowa State Capitol building in Des Moines        (https://www.google.com/maps/@41.5911488,-93.6048171,18z/data=!1e3)

- Pappajohn Sculpture Park in downtown Des Moines
(https://www.google.com/maps/@41.5854242,-93.6359324,18z/data=!1e3)

- Around the Campanile on Iowa State University's campus
(https://www.google.com/maps/@42.0253964,-93.6465846,18z/data=!1e3)

- Jordan Creek Town Center in West Des Moines
(https://www.google.com/maps/@41.5703532,-93.8033522,18z/data=!1e3)

- Snake Alley in Burlington: The crookedest street in the world according to "Ripley's Believe It or Not!"
(https://www.google.com/maps/@40.8118315,-91.1065912,18z/data=!1e3)

- Principal Park in Des Moines: Home of the Iowa Cubs
(https://www.google.com/maps/@41.580237,-93.616643,18z/data=!1e3)

- Kinnick Stadium in Iowa City: Home of the Iowa Hawkeyes
(https://www.google.com/maps/@41.6585677,-91.5521135,18z/data=!1e3)

- Arlington, Iowa: Home of 'Bachelor' Chris Soules
(https://www.google.com/maps/@42.7479873,-91.6715765,18z/data=!1e3)

- Le Roy, Iowa: One of the state's smallest towns
(https://www.google.com/maps/@40.8773041,-93.5944396,18z/data=!1e3)

- Iowa State Fairgrounds in Des Moines
(https://www.google.com/maps/@41.5951239,-93.5549214,18z/data=!1e3)

- Blank Park Zoo in Des Moines
(https://www.google.com/maps/@41.520359,-93.625397,18z/data=!1e3)

Source: desmoinesregister.com

Fast and Furious...

Seven films in, the appeal of the series's high-octane escapism is stronger than ever.


To say that the Fast & Furious movies are about something, anything, is probably to miss the point of them. At their best, these vessels for “vehicular warfare,” to quote one character, are gloriously silly escapist fare, devoid of rationality or commentary. But for a summary of the now-seven-picture franchise (totaling a collective 821 minutes), look no further than the final sequence of 2013's Fast & Furious 6. In the scene, the good guys’ harpoons ground an armored jumbo jet, which explodes and shoots a speeding car, piloted by the series’ ostensible star Vin Diesel, from its nose and into the fist-bumping promised land of the denouement.

Faster, bigger, louder, and yes, more furious—the F&F movies have, from their 2001 inception, been steadily building to an ever-grander set piece, and to Furious 7, out Friday. The new, reportedly $250-million film completes what has been a steady escalation of the franchise from macho B-movie to blockbuster tentpole. But, even as their Skittle-bright shells have become more and more polished, the F&F movies remain as free of deep meaning as Lucky Charms are of nutrition, while staying just as magically delicious.

Going back, you can almost hear the pitch for the first installment, 2001’s The Fast and the Furious directed by Rob Cohen: It’s Point Break set in the neon-lit drag-racing culture of Los Angeles. A baby-faced Paul Walker played the Keanu Reeves role as an aggressively earnest fed sent undercover to solve a series of mobile heists possibly perpetrated by the don of this gear-head underworld, Diesel’s samurai-solemn mechanic Dominic Toretto. The movie is all but unwatchable now, partly because of its utter lack of humor, but mostly because it seems to take Diesel seriously as a screen presence. The races and chases, though, always the main event, turned audiences on enough to merit a sequel. And 2003’s 2 Fast 2 Furious, directed by John Singleton (sans Diesel), doubled down on the Skittles aesthetic, taking Walker into Bad Boys buddy-comedy territory with the ludicrously silly Tyrese Gibson—as well as the actually funny Chris “Ludacris” Bridges.

The largely nocturnal third film in the franchise, Fast & Furious: Tokyo Drift, functions in retrospect as the tear-down phase for the entire property. None of the original stars took the trip to Japan (save Diesel, who makes a brief cameo before the end credits). But the director Justin Lin—who to that point had only made the high-school crime drama Better Luck Tomorrow and the James Franco Navy picture Annapolis—made the most sense of the built-in video-game structuring, and created a more cohesive, believable car culture. Getting the whole gang (Diesel, Walker, Jordana Brewster, and Michelle Rodriquez) back together for the fourth film in 2009, again directed by Lin, felt like a proper reboot, and justified the back-to-basics title Fast & Furious.

Under Lin, what was always good about the movies—the races and the films' handling of race—got exponentially better with every installment. But what had always been problem spots for the franchise remained so. After joking in the first film that she would give anything to be in a world where she didn’t just cook and clean for the boys, Brewster’s Mia is essentially remanded to the kitchen and then the nursery for the rest of the series. Future Wonder Woman Gal Gadot’s greatest contribution in her three appearances, before she died for the man she loved, was to secure the hand print of a bad guy by allowing him to grab her bikini-clad butt. And Rodriguez’s apparent death in the fourth film—the catalyst for the entire plot—takes place offscreen. Even when she returns, amnesic, in Fast & Furious 6, she remains little more than a modern-day Daisy Duke. At one point in that movie, Dwayne “The Rock” Johnson, returning as the federal cop, Hobbs, who he debuted in Fast Five, addresses his colleague, played by the former MMA and Haywire star Gina Carano, as “woman”—as in, “Woman! Let the man do the work.” His torture of a prisoner for intelligence the moment before is similarly treated with boys will be boys shrugs.

But, dubious machismo aside, things start to improve notably with the fourth film, as the franchise latches on to the roots of what makes it appealing. The characters, mercifully, begin to take themselves a bit less seriously, making way for more shiny things moving at high speed. Even the word “characters” may be overstating it, as all the cartoonish dialogue, when not plainly expository, is just an opportunity for these archetypes to trumpet their worldviews. Diesel, still insufferable, will spout for anyone within mumbling distance his family-first mantra, and then break his sacred code at the first opportunity (his ditching of Rodriguez’s Letty when things get hot is what prompts the actions that lead to her apparent death).

In fact, for all the time the characters spend talking about their codes and ethics, the most interesting moral statement in these movies is never overtly mentioned. In every film at least one of the principles crosses the line of the law to do what is “right”: Walker’s dutiful cop lets Toretto go free; Toretto helps the cops bring in a drug dealer; The Rock later sides with the outlaw drivers to affect revenge, and then employs them as colleagues. It's not a world in which the law doesn’t matter, or is only faintly felt: Quite the opposite. But these films believe that great men (always men), be they heroes or villains, will cross hermetic boundaries in pursuit of their beliefs. Standing at the Mexican-American border in the fourth film, Walker’s O’Conner says to Diesel’s Toretto, “This is where my jurisdiction ends.” Into the wilderness, outside the law and his jurisdiction, he will go—if only to stage a great chase sequence through the drug dealer’s tunnels beneath the Sonoran desert.

Lin had fun hitting the corners of Chris Morgan’s campy Fast & Furious script, navigating what's essentially a live-action Hot Wheels movie. The big race scene in the film plays like an actual video game, and even the apparently obligatory half-naked-girls-gyrating-around-cars-in-slow-mo sequence is so over-the-top as to be a satire of itself. With 2011’s Fast Five, still the best in the series, the producers apparently realized they had a little mini-Marvel supergroup thing going on, and brought back Tyrese, Luda, and Sung Kang, who played Han in Tokyo Drift. But it's the addition of The Rock that makes the movie and the franchise cohere, his self-possession and cartoonish charm filling the screen time between chase sequences. In typical Furious fashion, the best part of the movie is the chase led by two black Dodge Chargers pulling an elevator-sized bank vault through the city. This sequence, along with the Spain-set freeway chase with the tank in 6, are probably the best crash-em-up scenes ever made.

Which is why these films are so fantastically fun to watch—they deliver precisely what they promise. No less, no more. Fast movies are the Murphy’s law of automotive stunts: Anything that can happen on four wheels will happen before the credits roll. And yet it’s impossible to think of them even as fantasies, to imagine that the viewer is picturing himself in the driver’s seat of the stunt car, pulling the impossible heist. Toretto’s team, their lifestyle, and exploits aren't about wish fulfillment. They're all about the machines and what those machines symbolize. Like they did in the great road movies of the 60s and 70s (Bullitt, Gone in 60 Seconds), the vehicles in the Furious world offer an escape from humble human limitations, from society, from sanity. And, in the case of Furious 7, from gravity.
Even without the director, Lin—who's off working on other projects, including True Detective's second season—Furious 7 more than accepts the terms set by its predecessors, willing itself higher, faster, louder, more furious still. Merging two of the series’ most successful plotlines—do this one last job and get your life back, and bring down this one titanic bad guy before he gets you first—director James Wan (Saw, Insidious) veers into Pierce Brosnan-era Bond ridiculousness, parachuting cars from planes and launching them from one skyscraper to another.

At one point, before Walker’s death, the studio seemed to be considering at least three more Furious movies and a spin-off for The Rock’s Hobbs. Where that stands today is unclear. But with the crazed excitement for this installment (and projected box office), it’s difficult to imagine that the series won't continue on. The algorithm, anyway, is set: Add Diesel. Overstuff with testosterone and outlandish stunts. Vacuum for any shred of meaning or good sense. Push saturation to Candy Apple. Then hit the accelerator.

Source:theatlantic.com